michael baxandall painting and experience

Art History Looks At Clifford Geertz by Dr.(1988) Painting and Experience in Fifteenth-Century Italy. (1985) Patterns of Intention: On the Historical Explanation of Pictures. (1980) The Limewood Sculptors of Renaissance Germany. ^ 'Michael Baxandall' in The Telegraph 17 August 2008.Archived at the Wayback Machine University of California, 2009. ^ In Memoriam: Michael David Kighley Baxandall by Margaretta M.

(2004), 'Gendering the Period Eye: Deschi da Parto and Renaissance Visual Culture' in Art History, Volume 27, Issue 4, pp. (1999) 'Aspects of the Critical Reception and Intellectual History of Baxandall's Concept of the Period Eye.' in Rifkin, A. ^ 'In the Eyes of the Beholder' by Tamara Steinert Dartmouth Faculty Scholarship Today - Features, 2003.the social acts and cultural practices that shape attention to visual form within a given culture.' īaxandall developed the concept in greater detail in the case-studies in The Limewood Sculptors of Renaissance Germany (1980) and Patterns of Intention (1985). The concept attempts to reconstruct the mental and visual equipment brought to bear on works of art in a particular place and time and '. emphasizes the cultural constructedness of vision.'.

anthropological analysis of a society’s visual culture.' that '. The period eye examines how artists and their works functioned in their original social, commercial and religious context and has been called an '. He suggested that cultural factors influence the visual characteristics that are attractive at any particular time. The period eye is a concept that was devised by Michael Baxandall and described in his innovative Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style, where he used it to describe the cultural conditions under which art in the Italian Renaissance was created, viewed, and understood.īaxandall argued that everyone processes visual information in the brain in a different way, using a combination of innate skills and skills based on experience, which are often culturally determined.

Michael baxandall painting and experience